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Stephanie Poetri: Navigating the Stars and Soundscapes

April 3, 2024

Indonesian-born artist Stephanie Poetri is not just a musician; she's a sonic storyteller whose narratives unfold against the backdrop of a world obsessed with digital connectivity and astrological...

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Universal Music Group and HYBE Forge Strategic 10-Year Distribution and Collaboration Agreement

April 1, 2024

In a significant move that underscores the evolving dynamics of the global music industry, Universal Music Group (UMG) and HYBE, a prominent South Korean entertainment company, have announced...

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The National: A Journey Through Melancholy and the Art of Songwriting

March 31, 2024

Since its inception in 1999, the National has meticulously crafted a sound that resonates with the subtle complexities of human emotion, blurring the lines between melancholy and a peculiar sense....

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NIKI: A Profile on Self-Discovery and International Acclaim

March 29, 2024

Nicole Zefanya, known professionally as NIKI, has carved a unique space for herself in the contemporary music scene, transforming from a self-made YouTube artist into a history-making star...

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Jhené Aiko Embarks on the Magic Hour Tour: A Celebration of Resilience and Artistic Collaboration

March 27, 2024

In the dynamic world of contemporary R&B, few artists possess the ethereal quality and lyrical depth of Jhené Aiko Efuru Chilombo. Known for her soulful voice and introspective songwriting, Aiko...

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SZA's "Saturn": Chart-Topping Success and Insight into Her Songwriting Process

March 22, 2024

In the ever-evolving world of R&B music SZA stands as a beacon of innovation. Her latest single, "Saturn," marks a significant milestone in her illustrious career. Debuted during the 2024 Grammy...

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The Rap Challenge of Drill Beats: Why Cardi B Didn't Release Ice Spice 'Munch' Remix

March 20, 2024

Drill beats, with their gritty textures and relentless rhythms, represent one of these challenging frontiers. Cardi B's recent experience with recording a verse for a remix of Ice Spice's "Munch"...

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Ariana Grande's Lyrical Odyssey: Love and Loss in 'Eternal Sunshine'

Ariana Grande has once again captured the spotlight with her latest album, "Eternal Echoes." This time, Grande embarks on a deeply personal journey, weaving her narrative through the thematic...

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Ludwig Göransson’s Oscar Triumph: Crafting Oppenheimer's “Unplayable” Score

March 14, 2024

In the grand auditorium of dreams, Ludwig Göransson clutched the Oscar statuette for Best Score, a testament to his monumental contribution to Christopher Nolan’s Oppenheimer. This win adds another...

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The TikTok-UMG Standoff: A Battle Over Music Rights and Its Ripple Effects

March 10, 2024

Universal Music Group (UMG), the world’s largest music company, has withdrawn its catalog from TikTok, the leading platform for music promotion...

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Jimin's Historic Billboard Hot 100 Triumph: Elevating K-Pop to New Heights on the Global Stage

March 7, 2024

lmost one year ago, BTS's Jimin etched his name in the hall of music history by becoming the first South Korean soloist to clinch the number one spot on Billboard’s Hot 100 chart with his hit single..

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The Mick Gordon Controversy: A Symptom of Deeper Issues in the Video Game Industry

March 6, 2024

the composer behind the critically acclaimed soundtracks of Doom (2016) and Doom Eternal, has come forward with serious allegations against Bethesda, Id Software, and specifically, Id Software...

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Bad Omens ‘Just Pretend’: Ironic Parody to NO.1 Radio Rock Hit

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Bad Omens' alt-metal breakout, "Just Pretend," has transcended its origins as an ironic parody to become a genuine No. 1 radio rock hit. The song, featured on the band's 2022 Album, "The Death of Peace of Mind," initially gained traction as a viral TikTok song before claiming the top spot on Billboard's Mainstream Rock Airplay chart. In a recent interview with NME, Bad Omens' vocalist-songwriter Noah Sebastian shared the surprising journey of how a song conceived as a comedic take on radio rock conventions evolved into a chart-topping anthem.

Noah Sebastian revealed that the origin of "Just Pretend" was born out of frustration and a desire to make fun of the formulaic nature of radio-friendly rock. In response to pressures from outside perspectives advocating for a more radio-oriented approach, Sebastian decided to prove a point by creating what he describes as an "ironic butt-rock song." The intention was to demonstrate how effortlessly one could produce a song adhering to the stereotypical opinions of mainstream rock.

Despite the initial sarcastic intentions, Sebastian found himself captivated by the chorus he had created for "Just Pretend." The exaggerated boldness and intentionally silly vocals took an unexpected turn, revealing a genuinely great hook that stuck with the songwriter. The decision was made to immediately develop the song for the record, setting the stage for an ironic twist in the band's trajectory.

Throughout their career, Bad Omens has stuck to the principle of creating music without ulterior motives. The band's focus has consistently been on crafting music they genuinely enjoy and feel proud of, rather than succumbing to external pressures or industry expectations. "Just Pretend" stands as a testament to this, as it defied its initial sarcastic purpose to become a radio rock sensation.

Noah Sebastian reflected on the irony of the situation, acknowledging that a song written to poke fun at the ease of creating radio rock has now claimed the top spot on the radio rock charts. The unexpected success of "Just Pretend" marks a full-circle moment for Bad Omens, highlighting how art can surprise us, 'Just Pretend' showcases the unexpected beauty that comes from being true to oneself in creative expression.

Bad Omens' journey with "Just Pretend" serves as a reminder that artistic endeavors, even those born out of irony, can take on a life of their own. The accidental transformation of a parody into a No. 1 radio rock hit underscores the power of genuine creativity and the unpredictable path that music can take when driven by authenticity rather than external expectations.