December 20, 2024
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FINNEAS O’Connell has had an extraordinary few years. At just 27, the singer-songwriter and producer has become a prominent figure in the music world, largely thanks to his collaboration with his...
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Read moreFINNEAS O’Connell has had an extraordinary few years. At just 27, the singer-songwriter and producer has become a prominent figure in the music world, largely thanks to his collaboration with his younger sister, pop sensation Billie Eilish. Together, the duo has amassed a staggering collection of accolades, including Grammy Awards, Golden Globes, and even two Academy Awards for Best Original Song. Despite these achievements, if you asked the average pop listener, "Who is FINNEAS?" you might still be met with blank stares—a surprising response given his undeniable talent and influence.
This underappreciation seems particularly unjust when considering O’Connell’s remarkable ability to craft emotionally resonant, hook-filled songs. His work has been showcased not only in Eilish’s hits but also in his solo projects, including the EP *Blood Harmony* and his debut studio album *Optimist*. The latter was praised for its introspective lyricism and unique production, earning positive reviews from critics. However, in hindsight, *Optimist* feels like a product of its time, with its electronic bedroom-pop aesthetic now somewhat dated in a post-pandemic musical landscape.
Even O’Connell himself acknowledges the album’s limitations. In a Rolling Stone interview for Billie Eilish’s cover story, he admitted he did an “OK job” but felt isolated while solo-producing the project. This isolation, he believes, hindered his ability to achieve the best possible sound. “I was lonely while making it,” he confessed, explaining how this realization pushed him to adopt a more collaborative approach for his future work. “I’ve made a point to be hyper-collaborative. Fortunately, most of my friends are producers,” he added.
The result of this evolution is his latest album, *For Cryin’ Out Loud*. The 10-track LP, clocking in at just 40 minutes, strikes a balance between his signature lovesick ballads and a more polished, dynamic sound. It offers something for both his core audience of introspective twenty-somethings and a broader, alternative-leaning fanbase.
The title track encapsulates FINNEAS’s knack for blending heartfelt lyricism with dramatic visuals. In the accompanying music video, he sings, “For cryin’ out loud / I’m calling your name / You’re wearing me out / But I love you the same,” while enduring a series of surreal, symbolic mishaps—falling down an elevator shaft, getting hit by a car, and having his hands sliced open. This theatricality underscores the emotional weight of the song, drawing listeners into his world of infatuation and romantic turmoil.
The album’s emotional depth extends beyond its title track. “Family Feud” is a poignant ode to his sister Billie, reflecting the perspective of an older sibling navigating the challenges of fame alongside a beloved family member. “And you’re only twenty-two / And the world is watching you / Judging everything you do,” he sings tenderly, recalling their shared childhood and expressing his protective instincts as she faces the harsh glare of the public eye.
While *For Cryin’ Out Loud* may not have the boundary-pushing audacity of some of his contemporaries’ work, it feels purposeful and cohesive—a clear step forward from *Optimist*. If his debut album served as a snapshot of his early potential, this record lays the groundwork for FINNEAS’s evolution as an artist. It reveals a newfound confidence, both artistically and emotionally, and a willingness to embrace growth while staying true to the essence of his musical identity.
For FINNEAS, *For Cryin’ Out Loud* is more than just a collection of songs—it’s a testament to his artistic journey, a blend of reflection and reinvention that points toward an exciting future. As he continues to refine his craft, it’s clear he’s not just Billie Eilish’s brother and collaborator; he’s an artist in his own right, carving out a legacy that’s entirely his own.