stayc main image

Top 10 Mixing Mistakes and How to Avoid Them

October 18, 2024

Mixing is an art form that requires not only technical skill but also a keen ear and attention to detail. Many producers and engineers fall into common traps...

Read more
stayc main image

Choosing the Best CPU for Music Production

October 18, 2024

When upgrading your CPU for music production, whether you're composing orchestral scores, producing electronic music, or working with intricate multi-track projects, selecting the right processor...

Read more
stayc main image

How to Create Epic Risers and Transition Effects for Electronic Music

October 11, 2024

Creating epic risers and transition effects is essential for electronic music producers to build tension and anticipation before a drop or shift in their tracks. Here’s how you can do it...

Read more
stayc main image

Automating a Drum Bus in Reaper to Create Dynamic Room Effects

October 6, 2024

Read more
stayc main image

EQ in Practice: How to Use Subtractive EQ to Clean Up Muddy Mixes

October 6, 2024

ixing music is an art, and one of the most essential tools for achieving clarity in a mix is the equalizer (EQ). One technique, in particular, known as subtractive EQ, can work wonders for cleaning...

Read more
stayc main image

How to Manage Static Noise in High Frequencies When Compressing Vocals

October 6, 2024

One common frustration in vocal production, especially for home studio and bedroom producers, is encountering static noise in the high frequencies after compressing and brightening vocals...

Read more
stayc main image

Sampling Like a Pro: How to Flip Samples and Avoid Legal Issues

October 6, 2024

Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...

Read more
stayc main image

What Makes an EQ or Compressor VST High-Quality: Insights and Examples from Pros

October 6, 2024

When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...

Read more
stayc main image

Sound Design 101: Crafting Killer Drum Sounds Using Synthesizers

October 6, 2024

Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...

Read more
stayc main image

Mastering Multiband Compression Sidechaining: A Solution to Clashing Frequencies

October 6, 2024

In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...

Read more
stayc main image

Studio One Workflow Tips for Faster Music Production

October 1, 2024

Studio One by PreSonus is an incredibly powerful DAW (Digital Audio Workstation) that offers a variety of tools to streamline your music production workflow. However, like many DAWs, getting the...

Read more
stayc main image

Solving the Issue of Buried Crash Cymbals in the Mix

October 1, 2024

Crash cymbals often get buried in the mix, especially when using complex miking techniques like Glyn Johns, which balances close mics with overheads. While re-recording with higher cymbals may be a...

Read more

Max Martin: Why a Pop-Hit Songwriter and Producer Created a Musical

stayc main image

JONY STUDIOS

Even if you don’t know who Max Martin is, you’ve definitely heard his songs. Hit-pop songs are kind of his thing after all.

Martin first stepped into the music world in 1985 as a frontman for a glam-style metal band called It’s Alive. 

Although the band disbanded in 1995, their success during that time landed them a record deal with producer Denniz PoP’s label Cheiron Records. Soon after that, PoP recognized Martin’s talent for writing pop songs and eventually hired Martin at Cheiron Studios, the recording studio branch of the company. 

Over his 27-year music career, Martin had a hand in many hit pop songs while working at Cheiron Studios and, later, his own production company Maratone. His original rise to fame came from co-writing and co-producing consecutive pop hits, including:

  • Britney Spears's “...Baby One More Time” (1998)
  • Backstreet Boys' “I Want It That Way” (1999)
  • Celine Dion's “That’s the Way It Is” (1999)
  • NSYNC's “It’s Gonna Be Me” (2000)

Presently, Martin has written and co-written a whopping 25 Billboard Hot 100 number-one songs. The only people with more hit songs are John Lennon at 26 and Paul McCartney at 32. Additionally, Martin is tied with George Martin for producing 23 Hot 100 number-one songs as of 2021. These songs include hits like:

  • Katy Perry’s “I Kissed a Girl” (2008) and “Roar” (2013)
  • Maroon 5 "One More Night" (2012)
  • Taylor Swift’s “Shake It Off” and “Blank Space” (2014)
  • The Weeknd’s “Blinding Lights” (2019) and “Save Your Tears” (2020)

If you just consider his number-one songs, Martin’s career is pretty impressive already. However, Martin has also had a hand in many other hit songs that became incredibly popular. Martin has worked with a wide range of artists, including Kelly Clarkson, Pink, Usher, Avril Lavigne, Ariana Grande, Jessie J, and many more. 

As expected, Martin has won a variety of awards for his work including a record 11 ASCAP Songwriter of the Years Awards and 5 Grammy Awards (including Producer of the Year).

The New Yorker

Without a doubt, Max Martin is a master at writing a pop-hit single. 

What is his creative process like though?

For starters, Max Martin draws inspiration from artists like ABBA, Kiss, Prince, and Lasse Holm. 

Meanwhile, in the studio, Martin goes against traditions in the record industry with his creative process. At Cheiron, Martin and his team did everything from songwriting to playing instruments to mixing recordings. The only thing the artist had to do was provide vocals near the end. 

“I want to be part of every note, every single moment going on in the studio. I want nothing forgotten, I want nothing missed. I'm a perfectionist. The producer should decide what kind of music is being made, what it's going to sound like–all of it, the why, when and how.” - Max Martin

Typically, Martin avoids the spotlight. In fact, he has only been interviewed a few times despite his decades-long music career. Why then did he recently do an interview with news.com.au? & Juliet is his answer.

So what is & Juliet?

What happens when you take Romeo and Juliet and place it in the 21st century? What if Juliet didn’t die at the end? Add some of the past 2 decades' popular hits to that and you have & Juliet

& Juliet is a jukebox musical that features hits by Max Martin with a story update by Schitt’s Creek writer David West Read. 

Martin credits his wife of 20 years, Jenny, for the initial musical idea:

“I was like, ‘Sure, why not?’ Not knowing what it meant, or the amount of work that you need to put into it, but we just dove in. This is probably over 10 years ago.”

Martin realized pretty quickly that musical production is a completely different ball game than song production. For someone who is used to a small studio, Martin felt like a fish out of water in his musical team:

“After the day’s done, everyone gets together in the team and you talk about what happened (that day). And I’m sitting there, looking at, it’s like 50 people and I’m like, ‘Wow. This is such a different beast.’ That was the biggest ‘what the f**k’ moment, thinking to myself: ‘You’re not in Kansas anymore.’” - Max Martin on working on & Juliet

The musical first premiered at the Manchester Opera House in 2019 and is now showing in Melbourne this week. Now you know why he’s doing an interview with Australia’s number-one commercial news site. 

Check out the full news.com.au interview here! And if you're in Melbourne, make sure to go see & Juliet at Melbourne’s Regent Theatre!

ABC News