June 18, 2024
As summer draws near, the race for the season's signature song heats up. Just when it seemed like Kendrick Lamar’s “Not Like Us” was poised to dominate, Billie Eilish has thrown her hat into the...
Read moreJune 18, 2024
Pop and club music used to be the anthems of good times. From the infectious beats of the late '90s and early 2000s to the party-ready hits that defined the early 2010s, these genres once...
Read moreJune 18, 2024
“YOU BLEW ME to stardust,” Glass Animals lead singer Dave Bayley sings on the U.K. band’s latest single “Tear in Space (Airlock).” The tantalizing track swirls with synths over a pulsating beat as...
Read moreJune 18, 2024
A couple of months ago, Blackpink’s Lisa signed a solo deal with RCA, and now it looks like she hopes to release new music soon. An Instagram Story on her official account links to pre-save links...
Read moreJune 15, 2024
UK rapper Central Cee has made headlines with his latest single, "Band4Band," achieving the fastest-selling rap single of the year. This milestone not only cements his status as one of the most...
Read moreJune 15, 2024
Forty years after they ran away with our hearts and into rock history, Bon Jovi is back with a reflective new album, Forever, taking stock of all the boys from New Jersey have accomplished.
Read moreJune 15, 2024
A decade on from his breakthrough Boiler Room DJ set, Canadian producer Kaytranada has cemented himself as a dance music powerhouse. His work blends the worlds of underground electronic sounds and...
Read moreJune 15, 2024
Central Cee, born Oakley Neil H.T. Caesar-Su on June 4, 1998, in Shepherd's Bush, London, has swiftly emerged as one of the most prominent voices in the UK drill scene. With his raw lyricism...
Read moreJune 15, 2024
Believe it or not, it’s already been a decade since the SoundCloud rap era first ignited, and we’re seeing the lasting impact of the moshpit-dwelling artists who defined the movement...
Read moreJune 15, 2024
Norwegian alt-pop sensation AURORA is set to release her highly anticipated fifth album, "What Happened To The Heart?" Following a series of successful projects—2016's "All My Demons Greeting Me....
Read moreJune 7, 2024
Tate McRae, born on July 1, 2003, in Calgary, Alberta, Canada, has swiftly risen to fame as one of the most exciting young talents in the music industry today...
Read moreJune 7, 2024
Beyoncé has once again proven why she is a force to be reckoned with in the music industry with the release of her latest album, "Cowboy Carter."
Read more
Music creators often walk a delicate line between drawing inspiration from their favorite songs and unintentionally infringing on the work of others. The recent lawsuit filed against Miley Cyrus over her hit song "Flowers" serves as a reminder of how blurry this line can be. The lawsuit claims that Cyrus’ track borrows too much from Bruno Mars’ "When I Was Your Man," sparking a legal debate over where inspiration ends and copyright infringement begins.
For music creators, this situation offers valuable insights into how creativity, influence, and the law intersect.
Many artists naturally incorporate elements from songs they love into their own music. Whether it’s a melodic similarity, a lyrical nod, or a harmonic influence, drawing from existing material is a well-established practice in the industry. But at what point does inspiration become infringement?
The lawsuit against Cyrus offers a key example of this dilemma. Fans have long speculated that "Flowers" was a response to Mars' "When I Was Your Man." Where Mars sings about the regret of not treating his partner better, Cyrus flips the narrative to one of self-empowerment and independence. On the surface, this appears to be a classic "reply" song—a time-honored tradition in music, especially in genres like hip-hop and rock. But the lawsuit argues that the similarities go beyond thematic response, extending into “melodic, harmonic, and lyrical elements.”
For music creators, understanding what qualifies as fair use or inspiration versus copyright infringement is critical. While it's perfectly acceptable to be influenced by another artist's work, using exact musical phrases, melodies, or chord progressions without permission can lead to legal consequences. This case emphasizes how even perceived thematic similarities can lead to a lawsuit if the overlap is deemed substantial enough.
So how can music creators safely navigate these waters? Here are a few tips:
1. Understand What’s Protected
Music copyright laws protect more than just lyrics. They can extend to melodies, chord progressions, and even specific arrangements. However, not every aspect of a song is subject to copyright protection. General ideas or themes, like writing about heartbreak or self-empowerment, are not protected by copyright. But if you directly copy a melody or key musical elements, you may run into legal trouble.
2. Transform, Don’t Copy
When you find inspiration in a song, aim to transform the elements rather than replicate them. This could mean changing the tempo, key, or instrumentation, or interpreting the song’s emotional essence in a completely different way. In the case of Cyrus and Mars, even though "Flowers" was perceived as a response to "When I Was Your Man," the issue arose because Tempo Music alleges that more than just the lyrics were borrowed—melodic and harmonic structures, along with bass line similarities, are also part of the claim.
3. Study Music Theory
Knowing the technical side of music can help you recognize when your work might be too close to another song. If you can break down the structure of your music and compare it to the original, you'll have a better sense of whether you’re simply being inspired or unintentionally infringing. Learning about different chord progressions, scales, and melodic structures can help you find your own unique voice as a creator.
4. Use Music Creation Tools Carefully
In today’s world of loops, samples, and interpolation, it’s easier than ever to build off someone else’s work. While sampling and interpolation are legal when properly licensed, using these elements without clearance can lead to lawsuits. When you’re incorporating samples or creating interpolations, make sure you’re following the proper legal channels to license these materials.
Throughout music history, we’ve seen high-profile examples of both legitimate inspiration and cases that veered into infringement. Take these two examples to understand how the courts have viewed this fine line:
1. Robin Thicke’s "Blurred Lines"
One of the most famous recent copyright infringement cases, the "Blurred Lines" lawsuit, resulted in a nearly $5 million payout to the estate of Marvin Gaye. The court found that Thicke’s song borrowed too heavily from Gaye’s "Got to Give It Up," even though the songs didn’t share exact lyrics or melodies. The "feel" and groove of the two tracks were deemed too similar, serving as a warning to music creators that even stylistic influences can sometimes lead to legal consequences.
2. Led Zeppelin’s "Stairway to Heaven"
In a case that had a very different outcome, Led Zeppelin was sued by the band Spirit, who claimed that "Stairway to Heaven" copied elements of their song "Taurus." After years of litigation, the courts ultimately ruled in Zeppelin’s favor, finding that the musical similarities between the two songs were too general to constitute infringement. This case highlights that not all similar-sounding elements will result in copyright violation rulings—especially when those similarities stem from common musical tropes or progressions.
The case against Miley Cyrus is still ongoing, and the legal battle may hinge on whether the similarities between "Flowers" and "When I Was Your Man" are too "commonplace" to be protected. If you’re a music creator, there are a few key takeaways from this situation:
At the end of the day, music is a collaborative and evolving art form where influence and inspiration are natural. However, knowing where to draw the line will protect both your artistic integrity and your career from the costly consequences of a lawsuit.
Click the links to hear the similarities and or differences of both songs: