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Phonk Music and the Gym and Car Communities

November 24, 2023

People often say that music is a universal language. It is one of those things that all humans understand and enjoy, and it has an incredible ability to bring people together and create a sense...

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André 3000: Challenging the Notion of Age in Rap Music

November 24, 2023

In the world of hip-hop, André 3000 is a name that commands respect and admiration. As one-half of the iconic rap duo OutKast, he has left an indelible mark on the music industry...

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Chaz Mishan: Crafting for YG Entertainment's BABYMONSTER's Debut Single "Batter Up"

November 22, 2023

In a testament to the global nature of the music industry, Chaz Mishan, renowned producer and composer based in Los Angeles, has joined forces with YG Entertainment's talented songwriters...

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YG Entertainment's BABYMONSTER: Redefining Girl Group Dynamics in K-Pop

November 22, 2023

BABYMONSTER emerged from YG Entertainment’s relentless pursuit of innovation and excellence in the music industry. Known for its ability to cultivate global sensations such as BLACKPINK and BIGBANG...

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Thrash Metal - An Aging Genre

November 16, 2023

The thrash metal genre emerged in the early 1980s. Characterized by intricate guitar use, lightning-fast tempos, and its overall bold, aggressive themes, thrash was groundbreaking and quickly became..

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Travis Scott’s Telekinesis

October 27, 2023

Travis Scott, the Houston-born hip-hop sensation, has taken the world by storm with his innovative soundscapes and boundary-pushing creativity. His latest single, "Telekinesis”...

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Drake and J.Cole’s “First Person Shooter”: A Masterpiece in Modern era

October 25, 2023

The lyrics of “First Person Shooter” are a testament to both artists’ lyrical prowess. The song explores themes of success, legacy, and rivalry in the rap industry...

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They're Not Real? The Rise in Virtual Kpop Groups

October 24, 2023

As virtual technology continues to evolve and we move towards the metaverse future, the K-pop industry has begun delving into all the possibilities...

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Sunmi Becomes the 'Stranger' With New Single

October 23, 2023

After over a year of absence from the Kpop scene, solo artist Sunmi has recently come back with her eighth digital single, “STRANGER.” Co-written by Sunmi...

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EXO Chanyeol Assures That You're 'Good Enough' In New Release

October 23, 2023

EXO’s Chanyeol dropped the highly-anticipated single, ‘Good Enough.’ The comeback was made two and a half years after his latest release (‘Tomorrow’) in 2021...

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Overwatch 2 Hits the Right Notes with LE SSERAFIM Collaboration

October 20, 2023

LE SSERAFIM, a powerhouse in the K-pop industry, is a South Korean girl group formed by Source Music. Comprising five members – Sakura, Chaewon, Yunjin, Kazuha, and Eunchae – the group made...

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Supergroup Boygenius Caps Off Recent Success with EP ‘The Rest’

October 20, 2023

Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks.

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Peach Pit’s “From 2 to 3” is an Indie Production Masterpiece

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Peach Pit’s third and latest album, “From 2 to 3”, is a perfect example of musicianship as it masterfully executes a combination of the band’s influences with their unique sound. It’s distinctly themselves, and built upon their 2 prior albums of infectious indie pop, filled with relatable lyrics and catchy melodies. Yet it takes on a more fundamental role in establishing their sound through more intimate and tactile recording practices, and this is exactly what the band set out to do before recording the album. 

The album was heavily influenced by 1970s rock and folk music, as frontman Neil Smith tells Monday Magazine: “We just decided we wanted to have a very natural-sounding album with not a lot of affected vocals or guitars and if we were going to use effects, we were going to try to use things that were from the 1970s influence of rock ‘n roll.” 

These influences are perfectly complementary to their previously established indie rock sound. Tracks such as ‘Up Granville’ and ‘Pepsi on the House’ have the energetic aura and riffing guitars which defined their previous albums. Yet the album is especially elevated by tracks such as ‘Vickie’, ‘Look Out!’, and ‘Last Days of Lonesome’, which feature acoustic guitar-driven instrumentals and mellow vocals. The latter two tracks even feature little to no drums or bass guitar, opting to put their lyrics and melodies at the forefront which amplifies the folk-influenced atmosphere. 

One thing that listeners will pick up on is how noticeably intimate the listening experience is. Not only through tender instrumentals, but with the more subtle conveyance of mature lyrical themes. No song exemplifies this better than the title track, which sees the lead singer, Neil wake up from a dream about his ex-girlfriend. It’s a mellow track with haunting undertones, and serves as a perfect way to cap off the album. What makes the lyrical content so infectious is not only the relatability, but how it feels tactile, dynamic, and right in front of you. These elements are nurtured by Neil’s songwriting habits, as he cites in an interview with Range that he wrote ‘From 2 to 3’ right after actually waking up from his dream, which explains why the imagery it portrays is so fresh and vivid. 

“From 2 to 3” feels both like a product of skilled musicians, and a bunch of friends jamming together in a tightly organized package. While the album is more bare-bones than their previous efforts– omitting many background sounds that made “You and Your Friends” a progressive album for the genre, it allows them to experiment with sounds and lyrical themes that were previously untapped. And for that, Peach Pit is able to capture the charming essence of indie music while maturing their sound to a more creative and polished state which reflects their growth and talent as musicians.