August 20, 2025
Nostalgia, Mother Mother’s latest album, is one of those rare creations. It invites us into a world where lightness isn’t escapism—it’s a form of resistance, a beacon of hope, and a path forward....
Read moreAugust 19, 2025
When Anna of the North released “Lovers” in 2017, it was already a dreamy synth-pop gem, filled with wistful vocals and lush production that captured the ache of young romance. But it wasn’t until...
Read moreAugust 19, 2025
“Let Me Know” ft. Future started out as a moody, late-night playlist type of track, the kind you blast in your car pretending you’re in a music video while stuck in traffic. But now? It’s become...
Read moreAugust 19, 2025
“Your Idol” stands out in Kpop Demon Hunters not just as a catchy track, but as one of the most self-aware songs in the whole project. At first listen, it has all the hallmarks of a classic K-pop...
Read moreAugust 19, 2025
If you’ve scrolled TikTok, Insta, or literally any corner of the internet in the past few weeks, you’ve probably heard it: the fizzy, feel-good bop known as “Soda Pop” by the Saja Boys. Straight...
Read moreAugust 19, 2025
Skai Is Yourgod didn’t just drop a song, he dropped a cultural grenade. His track “Stacks From All Sides” has taken TikTok by storm, and the secret sauce? A cheeky little sample from Beetle on...
Read moreAugust 19, 2025
After 70 weeks at No. 1 with “Too Sweet,” Hozier’s reign on Billboard’s Hot Rock Songs chart comes to an end as newcomer Sombr takes over with...
Read moreAugust 19, 2025
Charli XCX brought her groundbreaking Brat era to a poignant close Friday night during an electrifying performance at South Korea's One Universe Festival. The pop innovator marked the final...
Read moreAugust 19, 2025
Taylor Swift’s appearance on Travis and Jason Kelce’s New Heights podcast drew 1.3M live viewers, breaking YouTube records and sparking buzz with details about her new album The Life of a...
Read moreAugust 19, 2025
After a six-year silence, Chance the Rapper is officially back. On August 15, 2025, he will drop his sophomore album, Star Line, marking a new chapter filled with growth, travel, and creative...
Read moreAugust 19, 2025
Lana Del Rey’s new song takes aim at Ethel Cain, referencing an alleged personal rift involving Instagram posts, a mutual ex, and behind-the-scenes remarks...
Read moreAugust 15, 2025
The music industry collectively lost its composure when Taylor Swift announced her twelfth studio album The Life of a Showgirl, with everyone from Sabrina Carpenter to Caitlin Clark publicly...
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Peach Pit’s third and latest album, “From 2 to 3”, is a perfect example of musicianship as it masterfully executes a combination of the band’s influences with their unique sound. It’s distinctly themselves, and built upon their 2 prior albums of infectious indie pop, filled with relatable lyrics and catchy melodies. Yet it takes on a more fundamental role in establishing their sound through more intimate and tactile recording practices, and this is exactly what the band set out to do before recording the album.
The album was heavily influenced by 1970s rock and folk music, as frontman Neil Smith tells Monday Magazine: “We just decided we wanted to have a very natural-sounding album with not a lot of affected vocals or guitars and if we were going to use effects, we were going to try to use things that were from the 1970s influence of rock ‘n roll.”
These influences are perfectly complementary to their previously established indie rock sound. Tracks such as ‘Up Granville’ and ‘Pepsi on the House’ have the energetic aura and riffing guitars which defined their previous albums. Yet the album is especially elevated by tracks such as ‘Vickie’, ‘Look Out!’, and ‘Last Days of Lonesome’, which feature acoustic guitar-driven instrumentals and mellow vocals. The latter two tracks even feature little to no drums or bass guitar, opting to put their lyrics and melodies at the forefront which amplifies the folk-influenced atmosphere.
One thing that listeners will pick up on is how noticeably intimate the listening experience is. Not only through tender instrumentals, but with the more subtle conveyance of mature lyrical themes. No song exemplifies this better than the title track, which sees the lead singer, Neil wake up from a dream about his ex-girlfriend. It’s a mellow track with haunting undertones, and serves as a perfect way to cap off the album. What makes the lyrical content so infectious is not only the relatability, but how it feels tactile, dynamic, and right in front of you. These elements are nurtured by Neil’s songwriting habits, as he cites in an interview with Range that he wrote ‘From 2 to 3’ right after actually waking up from his dream, which explains why the imagery it portrays is so fresh and vivid.
“From 2 to 3” feels both like a product of skilled musicians, and a bunch of friends jamming together in a tightly organized package. While the album is more bare-bones than their previous efforts– omitting many background sounds that made “You and Your Friends” a progressive album for the genre, it allows them to experiment with sounds and lyrical themes that were previously untapped. And for that, Peach Pit is able to capture the charming essence of indie music while maturing their sound to a more creative and polished state which reflects their growth and talent as musicians.