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Top 10 Mixing Mistakes and How to Avoid Them

October 18, 2024

Mixing is an art form that requires not only technical skill but also a keen ear and attention to detail. Many producers and engineers fall into common traps...

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Choosing the Best CPU for Music Production

October 18, 2024

When upgrading your CPU for music production, whether you're composing orchestral scores, producing electronic music, or working with intricate multi-track projects, selecting the right processor...

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How to Create Epic Risers and Transition Effects for Electronic Music

October 11, 2024

Creating epic risers and transition effects is essential for electronic music producers to build tension and anticipation before a drop or shift in their tracks. Here’s how you can do it...

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Automating a Drum Bus in Reaper to Create Dynamic Room Effects

October 6, 2024

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EQ in Practice: How to Use Subtractive EQ to Clean Up Muddy Mixes

October 6, 2024

ixing music is an art, and one of the most essential tools for achieving clarity in a mix is the equalizer (EQ). One technique, in particular, known as subtractive EQ, can work wonders for cleaning...

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How to Manage Static Noise in High Frequencies When Compressing Vocals

October 6, 2024

One common frustration in vocal production, especially for home studio and bedroom producers, is encountering static noise in the high frequencies after compressing and brightening vocals...

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Sampling Like a Pro: How to Flip Samples and Avoid Legal Issues

October 6, 2024

Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...

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What Makes an EQ or Compressor VST High-Quality: Insights and Examples from Pros

October 6, 2024

When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...

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Sound Design 101: Crafting Killer Drum Sounds Using Synthesizers

October 6, 2024

Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...

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Mastering Multiband Compression Sidechaining: A Solution to Clashing Frequencies

October 6, 2024

In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...

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Studio One Workflow Tips for Faster Music Production

October 1, 2024

Studio One by PreSonus is an incredibly powerful DAW (Digital Audio Workstation) that offers a variety of tools to streamline your music production workflow. However, like many DAWs, getting the...

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Solving the Issue of Buried Crash Cymbals in the Mix

October 1, 2024

Crash cymbals often get buried in the mix, especially when using complex miking techniques like Glyn Johns, which balances close mics with overheads. While re-recording with higher cymbals may be a...

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Phoebe Bridgers: A Deep Dive into Songwriting

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Photo: Thetimes.co.uk

Phoebe Bridgers is an American songwriter, singer, and producer who has, in recent years, gained mainstream recognition with the release of her sophomore album “Punisher” in 2020. The following year, she was nominated for four Grammy awards, including “Best New Artist” and “Best Alternative Music Album.” Since then, the 28-year-old artist has collaborated with many other musical icons including Taylor Swift, Lorde, and the 1975, further establishing herself in the indie-rock/indie-folk genres.

What really makes Bridgers' voice stand out is her unique songwriting style. Through her lyrics, she is able to capture devastatingly vulnerable moments in her own life and translate them into songs relatable to millions around the world. In an interview with the LA Times, Taylor Swift, one of this generation’s most highly acclaimed singer-songwriters, talks about their collaboration and her appreciation for Bridgers’ music.

“I think that the specificity of Phoebe’s lyrics, and the vulnerability she expresses in her voice when she delivers them, is what makes her music so deeply impactful and moving for me as a fan. You feel like she’s reliving a precise memory or delivering a secret message to someone and you get the privilege to read it or hear about it.”

Bridgers first began writing music in her early teens, learning to play the piano and the guitar by 11, and joining various bands throughout high school. As her music has developed into her own distinctive style of sad ballads, her songwriting has become associated with unflinching honesty and melancholic melodies. But interestingly, the “Motion Sickness” singer has a different take on sadness. “I think sadness is very funny to me because it’s the least singular thing on earth, it's the human experience […] so I think taking it a little bit less seriously has always been funny to me.” She talks about adopting this mindset during her songwriting process: “I have like dissociative tendencies while writing. When I'm too emotional when writing it always ends up really bad, but when I'm a little bit more removed and not feeling it 100% while writing, just writing whatever comes. Those tend to be the heaviest songs”

The inspiration for her writing? Bridgers says that she often draws from very specific details in her own experiences. For instance, Bridgers recalls penning a lyric in her song “Garden Song,” that goes: “The doctor put her hands over my liver and told me my resentment’s getting smaller.”
“I just went to a nutritionist in Los Angeles who literally was like, ‘Oh, I sense that you’re less resentful.’ So I just said what was happening and people are like, “Oh my God, what planet are you on that you made that up?”

From there, Bridgers says she hand writes all her lyrics and then whisper sings them into her phone voice memos with her guitar. “I have a hard time typing them on a computer. Maybe it just doesn’t make me feel cool… and I write faster in cursive” she told the Rolling Stone Music Now podcast.

Bridgers shares that her songwriting is very a slow and deliberate process. “I have to love the last line to move on to the next line” and from there, the draft will go through rounds of revision by herself and editors. She also mentions learning some tips from longtime friend and bandmate Conor Obers for her most recent album: “I started writing with him and then adopted the way that he writes entirely. Literally, he has one page of lyrics, next to the new page of lyrics. So as he’s making changes, he’ll write completely different lyrics on the next page. And I did that for this whole record.”

Moving forward, Bridgers says she’s trying to challenge herself by writing happier songs while still staying true to her appreciation for honest lyrics. "I think that, like, peppy love songs get kind of a bad rap as being dumb. And I think my next challenge in my life is to, like, have a, like, way to write about happiness that doesn't make me cringe."