stayc main image

The Rise of Punjabi Music in Canada: A Cultural Renaissance

April 5, 2024

In the heart of Canada's diverse music scene, Punjabi music is making significant strides, marking a new chapter in the country's cultural tapestry. This shift is not just a testament to the...

Read more
stayc main image

Portugal. The Man: Through Songwriting Triumphs and Trials

April 5, 2024

At the heart of Portugal. The Man is a songwriting process deeply influenced by their experiences, emotions, and the landscapes of their Alaskan upbringing. John Gourley, the band's frontman...

Read more
stayc main image

Stephanie Poetri: Navigating the Stars and Soundscapes

April 3, 2024

Indonesian-born artist Stephanie Poetri is not just a musician; she's a sonic storyteller whose narratives unfold against the backdrop of a world obsessed with digital connectivity and astrological...

Read more
stayc main image

Universal Music Group and HYBE Forge Strategic 10-Year Distribution and Collaboration Agreement

April 1, 2024

In a significant move that underscores the evolving dynamics of the global music industry, Universal Music Group (UMG) and HYBE, a prominent South Korean entertainment company, have announced...

Read more
stayc main image

The National: A Journey Through Melancholy and the Art of Songwriting

March 31, 2024

Since its inception in 1999, the National has meticulously crafted a sound that resonates with the subtle complexities of human emotion, blurring the lines between melancholy and a peculiar sense....

Read more
stayc main image

NIKI: A Profile on Self-Discovery and International Acclaim

March 29, 2024

Nicole Zefanya, known professionally as NIKI, has carved a unique space for herself in the contemporary music scene, transforming from a self-made YouTube artist into a history-making star...

Read more
stayc main image

Jhené Aiko Embarks on the Magic Hour Tour: A Celebration of Resilience and Artistic Collaboration

March 27, 2024

In the dynamic world of contemporary R&B, few artists possess the ethereal quality and lyrical depth of Jhené Aiko Efuru Chilombo. Known for her soulful voice and introspective songwriting, Aiko...

Read more
stayc main image

SZA's "Saturn": Chart-Topping Success and Insight into Her Songwriting Process

March 22, 2024

In the ever-evolving world of R&B music SZA stands as a beacon of innovation. Her latest single, "Saturn," marks a significant milestone in her illustrious career. Debuted during the 2024 Grammy...

Read more
stayc main image

The Rap Challenge of Drill Beats: Why Cardi B Didn't Release Ice Spice 'Munch' Remix

March 20, 2024

Drill beats, with their gritty textures and relentless rhythms, represent one of these challenging frontiers. Cardi B's recent experience with recording a verse for a remix of Ice Spice's "Munch"...

Read more
stayc main image

Ariana Grande's Lyrical Odyssey: Love and Loss in 'Eternal Sunshine'

Ariana Grande has once again captured the spotlight with her latest album, "Eternal Echoes." This time, Grande embarks on a deeply personal journey, weaving her narrative through the thematic...

Read more
stayc main image

Ludwig Göransson’s Oscar Triumph: Crafting Oppenheimer's “Unplayable” Score

March 14, 2024

In the grand auditorium of dreams, Ludwig Göransson clutched the Oscar statuette for Best Score, a testament to his monumental contribution to Christopher Nolan’s Oppenheimer. This win adds another...

Read more
stayc main image

The TikTok-UMG Standoff: A Battle Over Music Rights and Its Ripple Effects

March 10, 2024

Universal Music Group (UMG), the world’s largest music company, has withdrawn its catalog from TikTok, the leading platform for music promotion...

Read more

Quentin Miller only got paid $30,000 for writing 6 Drake songs.

stayc main image

thesource.org

Drake's ghostwriter controversy has been a topic of conversation since the rapper's feud with Meek Mill in 2015. Quentin Miller, a lesser-known rapper from Atlanta, was named as the ghostwriter behind some of Drake's biggest hits.

Recently, on a Vlad TV interview, Miller Came forward to reveal the details of his deal with Drake. Miller claims he was paid a total of $30,000 for writing six songs for the rapper. This is a shockingly low sum for the songwriter who has written some of Drake's biggest hits, including “10 Bands'' and “Know Yourself”.

The issue of ghostwriters has been a controversial topic in the music industry for some time. Rappers often employ ghostwriters to help them craft lyrics and create songs. It is not uncommon for major artists to pay ghostwriters big money for their contributions. However, it appears that Miller was not compensated fairly for his work, but it wasn’t because of Drake.

Miller claims the reason for the low payment was because he had signed a previous 10-year publishing deal, giving up his ownership share of his songwriting efforts. This means that Miller has not received any royalties or other income from the songs he wrote for Drake and other artists. This is a common problem for ghostwriters. They often sign away publishing rights early on for song placement opportunities with publishers who claim to have all the connections needed to succeed in the industry, only to realise that after reaching some level of success, a large percentage of their hard earned money must go to the publisher that they originally signed with.  In Quentin Miller’s case it was all of the money earned.

djvlad's Youtube Channel

This news has sparked a heated debate among fans and industry professionals. Miller's claims have highlighted the issue of ghostwriting and the way in which some artists may exploit the talents of lesser-known songwriters. It also raises questions about how artists are compensated in the music industry.

Although the details of Miller's publishing deal are unclear, it is clear that he was not paid fairly for his work. This is a problem that needs to be addressed in the industry, as it is unfair to the artists who do not receive proper compensation for their contributions. Hopefully, Miller's story will bring attention to this issue and lead to fairer compensation for all songwriters.

Do you feel like this was bad luck or bad business on Quentin Miller's part?