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Studio One Workflow Tips for Faster Music Production

October 1, 2024

Studio One by PreSonus is an incredibly powerful DAW (Digital Audio Workstation) that offers a variety of tools to streamline your music production workflow. However, like many DAWs, getting the...

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Solving the Issue of Buried Crash Cymbals in the Mix

October 1, 2024

Crash cymbals often get buried in the mix, especially when using complex miking techniques like Glyn Johns, which balances close mics with overheads. While re-recording with higher cymbals may be a...

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GarageBand Hacks: Creating Professional-Sounding Tracks Without Expensive Plugins

October 1, 2024

GarageBand is often seen as an entry-level DAW (Digital Audio Workstation), but it has powerful tools that, when used effectively, can create professional-quality tracks. Many indie musicians and...

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Solving the General MIDI Program Change Dilemma in Ableton

October 1, 2024

When working with MIDI in Ableton, one might notice that although MIDI clips can send program changes, most of Ableton's native plugins don’t seem to respond to these changes effectively. This can...

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Escaping 'Tutorial Hell': Stay Motivated and Actually Progress in Music Production

September 21, 2024

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Should You Write Music or Lyrics First? Solutions from Famous Creators

September 20, 2024

One of the most common challenges for songwriters is deciding whether to write the music or lyrics first. This can feel like a "chicken-or-egg" situation, but there's no one-size-fits-all answer...

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How to Plan the Perfect Release Day for Your Single or Album

September 20, 2024

Releasing a new single or album is a huge milestone for any musician. However, without proper planning, your work may not get the attention it deserves. It’s not just about putting the song online...

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Mastering the Low End: Compression Tips for a Tight Mix

September 20, 2024

When it comes to music production, getting the low end right can be tricky. Many producers face a common issue: after the initial mix sounds perfect, a few days later, the low end starts to feel...

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How to Turn a Bedroom into a Professional Home Studio on a Budget

September 19, 2024

For many aspiring musicians, the dream of creating a professional-quality home studio seems out of reach due to costs and space constraints. However, with the right strategies and tools, it's...

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Remote Music Collaboration: Tools and Tips for Seamless Production

September 18, 2024

Collaborating on music remotely has become more common, but as you’ve experienced, it can be a challenge to get it right. Audio latency, control sensitivity, and lack of real-time feedback are...

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How to Build a Loyal Fanbase Using Social Media in 2024

September 18, 2024

In today’s digital age, building a loyal fanbase is essential for musicians to thrive. Social media platforms have become powerful tools for connecting directly with fans, sharing music, and...

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Best Apps and Websites for Creating Instrumentals When You Don’t Play Instruments

September 18, 2024

As a songwriter, it can be frustrating to have melodies or lyrics in your head but no way to bring them to life without instrumental skills. Thankfully, with modern technology, there are apps and...

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The Fine Line Between Inspiration and Infringement: Beyoncé’s ‘Break My Soul’ Lawsuit

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In the intricate world of music creation, inspiration often blurs the lines between originality and infringement. The recent lawsuit against Beyoncé over her hit song "Break My Soul" serves as a poignant reminder of these complexities. The lawsuit, filed by members of the bounce music group Da Showstoppaz, accuses Beyoncé of illegally using elements from their 2002 track “Release a Wiggle” through a sample in Big Freedia’s "Explode," which was then featured in "Break My Soul."

Beyoncé’s chart-topping single prominently samples "Explode" by Big Freedia, a prominent figure in the New Orleans bounce music scene. Bounce music, characterized by its energetic tempo and repetitive rhythms, has been steadily gaining mainstream recognition, thanks in part to artists like Big Freedia. However, Da Showstoppaz allege that "Explode" borrows significant portions from their earlier work "Release a Wiggle," specifically the repeated chorus phrase "release your wiggle."

Da Showstoppaz members Tessa Avie, Keva Bourgeois, Henri Braggs, and Brian Clark claim that the lyrics and musical composition in "Explode" are substantially similar to those in "Release a Wiggle." They are calling for recognition and financial compensation, seeking to be credited for their contributions and to receive royalties from both "Explode" and "Break My Soul." The lawsuit names Beyoncé, Big Freedia, Jay-Z, and Sony Music as defendants, highlighting the far-reaching implications of such claims in the music industry.

The case underscores the importance of navigating the fine line between inspiration and copyright infringement. While drawing from existing music can lead to innovative and popular new tracks, it also risks crossing into legal territory. For music creators, producers, and anyone involved in the industry, understanding the boundaries of copyright law is crucial. Failure to do so can result in costly legal battles, damaged reputations, and financial losses. Ensuring originality and properly crediting sources are essential practices to safeguard against these dangers and to foster a creative environment that respects the intellectual property of all artists.