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How to Create a Joyful Song Like "Happy" by Pharrell Williams

July 24, 2024

Creating a song that radiates joy and energy, much like Pharrell Williams' hit "Happy," is an exciting challenge for any music creator. Whether you're a seasoned producer or just starting out...

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Why Nas' Illmatic Deserves the Top Spot: Rap Lyricism at its Finest

July 17, 2024

Nas’ debut album, Illmatic, has been crowned the greatest rap album of all time by Billboard, and for good reason. Celebrated for its lyrical brilliance and profound storytelling, Illmatic set...

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How to Create a Viral Chart-Topping Song Like Tommy Richman's "Million Dollar Baby"

July 8, 2024

Creating a viral, chart-topping song is the pinnacle of success for many music creators. Tommy Richman’s "Million Dollar Baby" exemplifies how to craft a hit that resonates with a wide audience...

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Crafting Music Like Jeff Bhasker: A Guide for Aspiring Music Creators

July 2, 2024

Jeff Bhasker is a legendary figure in the music industry, celebrated for his outstanding contributions as a producer, songwriter, and multi-instrumentalist. His Grammy-winning career has seen...

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The Magic of K-pop: Insights from "Song Machine: Inside the Hit Factory"

June 30, 2024

In the ever-evolving world of pop music, K-pop has emerged as a global powerhouse, captivating audiences with its unique sound and stunning visuals. John Seabrook’s book, "Song Machine: Inside the...

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Blackpink’s Lisa Dominates iTunes with New Single ‘Rockstar’

June 30, 2024

Music enthusiasts and aspiring creators, take note! Blackpink’s Lisa is making waves in the U.S. with her latest single, "Rockstar." Released late on Thursday, June 27, the song quickly shot up the...

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Unlocking the Secrets of Pop Hits: Insights from "Song Machine: Inside the Hit Factory"

June 30, 2024

Have you ever wondered what makes a pop song stick in your head, or how some artists consistently produce hit after hit? John Seabrook's "Song Machine: Inside the Hit Factory" pulls back the...

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TWICE’s Nayeon on Solo Debut, Songwriting, and Spoilers: Insights for Aspiring Music Creators

June 27, 2024

As the eldest member of the global K-pop group TWICE, Im Nayeon embodies big sister energy: she's protective, loving, and playful. Her playful nature sometimes leads to spoilers, much to the...

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Celebrating Joyful Rebellion: Lake Street Dive's "Good Together"

June 24, 2024

In a world often divided by strife and discord, Lake Street Dive emerges with their eighth studio album, "Good Together," a jubilant testament to the power of joy and unity in music. Scheduled for...

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Kygo's Summer Serenade

June 24, 2024

Kygo, the maestro of summer vibes, returns with his self-titled album just in time to soundtrack your sun-soaked days. Released to coincide with the summer solstice, this album reaffirms Kygo's...

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Luna Shadows' 'bathwater' Album Delivers a Deep Dive into Self-Discovery and Reflection"

June 24, 2024

Luna Shadows has finally unveiled her long-awaited LP, "bathwater," a deeply personal journey through emotion and memory. Released independently on June 21st, this album marks a significant...

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Remi Wolf Unveils "Motorcycle" Featuring Stellar Collaborations

June 23, 2024

Remi Wolf, known for her vibrant and eclectic musical style, has released a new single titled "Motorcycle," featuring the talents of Kenny Beats, Leon Michels, and The Dap-Kings. Released on...

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Why are female artists underplayed on Canadian radio?

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A new University of Ottawa study has revealed a stark disparity in the airplay of music by women, particularly racialized and trans artists, on commercial Canadian radio over the past decade. This significant underrepresentation highlights ongoing issues within the industry regarding diversity and inclusivity. Today on Commotion, principal investigator and professor Jada Watson, alongside Cree country artist Desiree Dorion, join guest host Amil Niazi to discuss the study's findings and explore potential paths forward for the industry.

Professor Jada Watson, who led the study, delves into the data that underscores the systemic inequities faced by women, especially those from marginalized communities, in gaining airplay on commercial radio. She emphasizes the importance of recognizing and addressing these biases to create a more equitable musical landscape. "Our findings are a call to action for the industry to reflect on its practices and actively work towards greater representation and support for underrepresented artists," Watson asserts.

Desiree Dorion, bringing her perspective as an Indigenous artist, shares her personal experiences and the challenges she has faced in getting her music heard. She speaks to the broader implications of the study, highlighting the need for structural changes within the industry to ensure that diverse voices are not just heard but celebrated. Dorion's insights underscore the necessity of industry-wide efforts to promote inclusivity, from programming decisions to support for emerging artists from marginalized backgrounds. Together with Amil Niazi, the discussion aims to shed light on actionable steps that can pave the way for a more inclusive and representative music industry in Canada.