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The Best Beginner-Friendly DAWs for Music Production

October 18, 2024

Getting into music production can be an exciting journey, especially for beginners. With so many digital audio workstations (DAWs) available, it can be overwhelming to choose the right one.

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Top 10 Mixing Mistakes and How to Avoid Them

October 18, 2024

Mixing is an art form that requires not only technical skill but also a keen ear and attention to detail. Many producers and engineers fall into common traps...

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Choosing the Best CPU for Music Production

October 18, 2024

When upgrading your CPU for music production, whether you're composing orchestral scores, producing electronic music, or working with intricate multi-track projects, selecting the right processor...

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How to Create Epic Risers and Transition Effects for Electronic Music

October 11, 2024

Creating epic risers and transition effects is essential for electronic music producers to build tension and anticipation before a drop or shift in their tracks. Here’s how you can do it...

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Automating a Drum Bus in Reaper to Create Dynamic Room Effects

October 6, 2024

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EQ in Practice: How to Use Subtractive EQ to Clean Up Muddy Mixes

October 6, 2024

ixing music is an art, and one of the most essential tools for achieving clarity in a mix is the equalizer (EQ). One technique, in particular, known as subtractive EQ, can work wonders for cleaning...

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How to Manage Static Noise in High Frequencies When Compressing Vocals

October 6, 2024

One common frustration in vocal production, especially for home studio and bedroom producers, is encountering static noise in the high frequencies after compressing and brightening vocals...

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Sampling Like a Pro: How to Flip Samples and Avoid Legal Issues

October 6, 2024

Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...

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What Makes an EQ or Compressor VST High-Quality: Insights and Examples from Pros

October 6, 2024

When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...

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Sound Design 101: Crafting Killer Drum Sounds Using Synthesizers

October 6, 2024

Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...

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Mastering Multiband Compression Sidechaining: A Solution to Clashing Frequencies

October 6, 2024

In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...

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Studio One Workflow Tips for Faster Music Production

October 1, 2024

Studio One by PreSonus is an incredibly powerful DAW (Digital Audio Workstation) that offers a variety of tools to streamline your music production workflow. However, like many DAWs, getting the...

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Drake Slapped With a $10 Million Lawsuit.

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Toronto Rapper Drake is slapped with a $10 million copyright lawsuit. The lawsuit began after Drake used an unpermitted sample from a song released by the artist Obrafour made in 2003 named ‘Oye Rhene.’

According to the details of the lawsuit, Drake had emailed Obrafour to gain permission to sample the song while he was in the making of ‘Calling My Name.’ Obrafor’s lawsuit further indicates that after not receiving an email back, Drake went ahead and sampled the song anyways without obtaining consent. The initial email asking permission to test the piece was sent out on June 8th, 2022, with no response. A follow-up email was sent out, with no response to either email. The song was released a few days later, on June 17th, 2022, in Drake’s surprise album “Honestly, Nevermind.”

In the lawsuit, Obrafor is suing under the Copyright Act for copyright infringement. Within the lawsuit, he is seeking all remedies afforded to him. This will include preliminary and permanent injunctive relief, monetary and damages. It will not be limited to actual damages, profits that are (in)directly attributable to Defendants’ infringing conduct and statutory damages. Under the Copyright Act, there is a fine of $150,000.00 per infringement.