October 18, 2024
Compression is one of the most crucial tools in any beatmaker's toolkit, shaping the dynamics of your track and helping achieve that punchy, polished sound....
Read moreOctober 18, 2024
Getting into music production can be an exciting journey, especially for beginners. With so many digital audio workstations (DAWs) available, it can be overwhelming to choose the right one.
Read moreOctober 18, 2024
Mixing is an art form that requires not only technical skill but also a keen ear and attention to detail. Many producers and engineers fall into common traps...
Read moreOctober 18, 2024
When upgrading your CPU for music production, whether you're composing orchestral scores, producing electronic music, or working with intricate multi-track projects, selecting the right processor...
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Creating epic risers and transition effects is essential for electronic music producers to build tension and anticipation before a drop or shift in their tracks. Here’s how you can do it...
Read moreOctober 6, 2024
ixing music is an art, and one of the most essential tools for achieving clarity in a mix is the equalizer (EQ). One technique, in particular, known as subtractive EQ, can work wonders for cleaning...
Read moreOctober 6, 2024
One common frustration in vocal production, especially for home studio and bedroom producers, is encountering static noise in the high frequencies after compressing and brightening vocals...
Read moreOctober 6, 2024
Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...
Read moreOctober 6, 2024
When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...
Read moreOctober 6, 2024
Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...
Read moreOctober 6, 2024
In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...
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Switzerland emerged victorious in the 68th Eurovision song contest, amidst controversies over Israel's participation and the disqualification of the Dutch contestant just before the grand final. Nemo, a non-binary Swiss singer, clinched the title with their energetic performance of "The Code," beating out top contenders Croatia and Israel. Their operatic and drum'n'bass-infused song dominated the jury vote, comprising half of the total score. However, the event was marred by the disqualification of the Dutch contestant, Joost Klein, due to an incident involving a female member of the production crew, threatening to overshadow the musical performances at the world's largest live music event.
The Dutch broadcaster expressed shock at the disqualification of Joost Klein and refused to allocate points from its jury. The controversy intensified due to Klein's apparent disagreement with Israel's participation, voiced during a press conference. Meanwhile, Israel's clearance to compete after modifying song lyrics about a Hamas massacre stirred political debates. Pro-Palestine activists urged a boycott, leading to protests during the event in Malmö, where some were detained by police. Despite the controversy, cheers overshadowed boos as Israel's contestant took the stage.
Eurovision's organizers dismissed rumors linking Joost Klein's suspension to other performers or the Israeli delegation. Swedish police investigated a complaint from a crew member, leading to Klein's disqualification due to alleged inappropriate behavior. The Dutch broadcaster Avrotros expressed shock, stating Klein made a threatening gesture toward a camerawoman. Despite offering solutions, the European Broadcasting Union (EBU) upheld the disqualification. Eurovision's executive director faced audience backlash, and rumors circulated about Ireland's entry, Bambie Thug, potentially withdrawing after missing the final dress rehearsal.
Olly Alexander's entry for Britain, "Dizzy," placed 18th in the Eurovision contest with zero points from the audience vote. Joost Klein, a former YouTuber from Friesland, was expected to leave an impression with his multilingual song "Europapa," featuring imagery of a burning "European house." Despite the controversy, he did not compete. At a pro-Palestine rally, a participant waved a placard supporting Klein, highlighting the entanglement of politics and pop at Eurovision.