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Olivia Rodrigo's Journey: One Year Since her First Album Release

May 27, 2022

It’s been one year since the young pop-star, Olivia Rodrigo, released her first music album “Sour”. Since her debut, Olivia Rodrigo has won 3 Grammy Awards and named Women of the Year in 2022.

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Doja Cat Overwhelmed With Fame Took To Twitter To Quit Music Career

March 31, 2022

​​After a cancelled performance at the Asuncionico festival in Paraguay Doja cat received backlash from fans claiming the singer neglected them outside of her hotel. After the many complaints from...

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With T.O.P.'s Departure from YG due to mental health struggles, is this the End of Big Bang?

April 11, 2022

After a long 4 year’s K-pop group Big Bang makes a comeback to the music scene with the song “Still Life.” This song has become another banger from the group reminding fans of the music they once...

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Broadway’s KPOP To Premiere Late 2022

April 6, 2022

The first theatre production highlighting the global takeover of the K-Pop industry will be making its Broadway debut later this year, with its opening night scheduled for November 20, while...

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Ed Sheeran Slams “Damaging” Lawsuits Against Songwriters Amidst Copyright Case Victory

April 6, 2022

Over the past month, singer Ed Sheeran has been battling a copyright trial, accusing him of plagiarizing his 2017 hit song, “Shape of You” the song’s resemblance to their song, “Oh Why” Sami Chokri...

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Silk Sonic’s “Leave The Door Open” Wins Record of The Year at the 2022 Grammys

April 5, 2022

If you’ve been on social media for the past few months, odds are you’ve probably heard of the iconic viral hit, “Leave The Door Open” by Silk Sonic on just about every corner of the internet.

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5 Upcoming K-Pop Debuts To Watch For 2022

April 2, 2022

Debut: April 2022 After having competed on the reality survival show, “My Teenage Girl”, the seven-member group CLASS:y was formed, signing a seven-year contract with label, M25. The group was...

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Here’s What You Need To Know About Queendom 2

April 1, 2022

Queendom returned for its long awaited second season (hosted by Girls Generation’s Tayeon) and here’s all you need to know: Queendom is a South Korean reality-survival show in which six girl groups...

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Bobby Shmurda Is Finally Out Of His Epic Deal

April 7, 2022

Bobby Shmurda has finally been released from his deal with Epic Records following his own plea for his release on social media stating, “I did six years in jail trying to get off this label before...

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BIGBANG Make History With “Still Life” Comeback After 4-Year Hiatus

April 5, 2022

Alas, BIGBANG have finally made their long-awaited return to the spotlight with their new single, “Still Life” – a heartfelt ballad about the perils of growing up and learning from your past. As...

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Jack Harlow Samples Fergie’s “Glamorous” in Viral TikTok Snippet

April 5, 2022

Last week, Louisville heartthrob Jack Harlow dropped a 13 second snippet of a new song he’d been working on that samples Fergie’s hit, “Glamorous” and it immediately went viral on TikTok within...

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J-Pop group XGalX debut’s breaking social norms with song “Tippy Toes”

March 18, 2022

After month’s of anticipation Japanese Girl group XGalX debute with new single “Tippy Toes”. The group consists of 7 young empowered women named Jurin, Harvey, Hinata, Chisa, Maya, Juria and Co...

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Vince Staples' "Dark Times": A Journey Through Paranoia and Nostalgia

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"Fans said they want 2015 Vince,” Vince Staples declares on “Étouffée,” a standout track from his sixth studio album, Dark Times. While the Southern California rapper’s career is a testament to his success and evolution, far removed from his days as a teenage Crip, he remains haunted by the spectre of violence that could lurk around any corner.

The album cover, stark and provocative, features a barely visible noose against a black background, setting the tone for the paranoia that permeates the album. Tracks like “Government Cheese” amplify this unease. The refrain, “Don’t forget to smile,” drips with irony as a dejected Staples takes a call from an imprisoned friend, reflecting on his inability to be truthful about his well-being. His numb monotone delivery suggests he’s forcing the words out, reflecting the weight of his experiences.

Staples’ mistrust extends beyond his environment to his romantic relationships. On “Nothing Matters,” he laments over a melancholic piano loop and clattering drums about a woman who ignores his calls. In “Justin,” he narrates an encounter with a woman who leads him back to her apartment, only for him to discover she has a partner.

Dark Times is rich with samples, both spoken and musical. The interlude “Liars” features a discussion between James Baldwin and Nikki Giovanni, adding intellectual weight to the album. Musical nods to DJ Screw on “Black & Blue” and Marvin Gaye on “Radio” weave a tapestry of influences, grounding Staples’ contemporary struggles in a broader cultural context. For the first time on a Vince Staples album, there’s an R&B influence, with soulful backing vocals on tracks like “Shame on the Devil.”

Dark Times is a testament to Vince Staples’ growth as an artist. His ability to explore different styles while maintaining his unique sound is commendable. This album will likely be considered one of Staples’ best works. His blend of escapist rap, clever wordplay, and nostalgic musical elements has once again captured the music world's attention. With its seamless listening experience, high-quality production, and standout tracks, Dark Times solidifies Staples’ place as one of the most innovative voices in hip-hop today. As he declares in “Little Homies,” “Life hard, better go harder.” Such an evolution inspires new up-and-coming artists to stay true to their music. Authenticity creates a powerful bond with the audience and sets them apart from those trying to fit into popular trends.