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Shawn Mendez opens up about break up with new song

March 29, 2022

Newly heartbroken singer Shawn Mendez performs his new song “When you’re gone” at South by Southwest. This is the debut song that came out after his break up with fellow singer Camila Cabello after...

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Chaka Khan on Kanye West’s Through the Wire – “I hated it; it was an insult!”

March 16, 2022

Whether you’ve been a fan of Kanye West from the start, or you’ve recently watched his Netflix trilogy “Jeen-Yuhs”, you’ve probably heard his of first breakout single into the rap industry “Through...

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Weeekly Makes 2022 Return With “Play Game: Awake”

March 10, 2022

Weeekly pivots away from their bubbly and upbeat sound and makes a major transformation in their edgy and ambitious first mini album, “Play Game: Awake”.‍“Play Game: Awake” marks Weeekly’s fourth...

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Stray Kids Make 2022 Comeback With Mini Album – ODDINARY

March 10, 2022

Dare I say its, EXTRAODDINARY?‍Stray Kids have returned with the release of their new mini-album, ODDINARY – a collection of seven songs that proclaim the message of embracing all of the things...

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STAYC’S YOUNG-LUV.COM -- defying genres and taking over the world

March 7, 2022

It’s been two weeks since STAYC’s third mini album release YOUNG-LUV.COM, and we took this time to soak it all in and live our daydreams vicariously through this album. YOUNG-LUV.COM gives us that...

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Vince Staples' "Dark Times": A Journey Through Paranoia and Nostalgia

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"Fans said they want 2015 Vince,” Vince Staples declares on “Étouffée,” a standout track from his sixth studio album, Dark Times. While the Southern California rapper’s career is a testament to his success and evolution, far removed from his days as a teenage Crip, he remains haunted by the spectre of violence that could lurk around any corner.

The album cover, stark and provocative, features a barely visible noose against a black background, setting the tone for the paranoia that permeates the album. Tracks like “Government Cheese” amplify this unease. The refrain, “Don’t forget to smile,” drips with irony as a dejected Staples takes a call from an imprisoned friend, reflecting on his inability to be truthful about his well-being. His numb monotone delivery suggests he’s forcing the words out, reflecting the weight of his experiences.

Staples’ mistrust extends beyond his environment to his romantic relationships. On “Nothing Matters,” he laments over a melancholic piano loop and clattering drums about a woman who ignores his calls. In “Justin,” he narrates an encounter with a woman who leads him back to her apartment, only for him to discover she has a partner.

Dark Times is rich with samples, both spoken and musical. The interlude “Liars” features a discussion between James Baldwin and Nikki Giovanni, adding intellectual weight to the album. Musical nods to DJ Screw on “Black & Blue” and Marvin Gaye on “Radio” weave a tapestry of influences, grounding Staples’ contemporary struggles in a broader cultural context. For the first time on a Vince Staples album, there’s an R&B influence, with soulful backing vocals on tracks like “Shame on the Devil.”

Dark Times is a testament to Vince Staples’ growth as an artist. His ability to explore different styles while maintaining his unique sound is commendable. This album will likely be considered one of Staples’ best works. His blend of escapist rap, clever wordplay, and nostalgic musical elements has once again captured the music world's attention. With its seamless listening experience, high-quality production, and standout tracks, Dark Times solidifies Staples’ place as one of the most innovative voices in hip-hop today. As he declares in “Little Homies,” “Life hard, better go harder.” Such an evolution inspires new up-and-coming artists to stay true to their music. Authenticity creates a powerful bond with the audience and sets them apart from those trying to fit into popular trends.