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Studio One Workflow Tips for Faster Music Production

October 1, 2024

Studio One by PreSonus is an incredibly powerful DAW (Digital Audio Workstation) that offers a variety of tools to streamline your music production workflow. However, like many DAWs, getting the...

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Solving the Issue of Buried Crash Cymbals in the Mix

October 1, 2024

Crash cymbals often get buried in the mix, especially when using complex miking techniques like Glyn Johns, which balances close mics with overheads. While re-recording with higher cymbals may be a...

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GarageBand Hacks: Creating Professional-Sounding Tracks Without Expensive Plugins

October 1, 2024

GarageBand is often seen as an entry-level DAW (Digital Audio Workstation), but it has powerful tools that, when used effectively, can create professional-quality tracks. Many indie musicians and...

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Solving the General MIDI Program Change Dilemma in Ableton

October 1, 2024

When working with MIDI in Ableton, one might notice that although MIDI clips can send program changes, most of Ableton's native plugins don’t seem to respond to these changes effectively. This can...

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Escaping 'Tutorial Hell': Stay Motivated and Actually Progress in Music Production

September 21, 2024

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Should You Write Music or Lyrics First? Solutions from Famous Creators

September 20, 2024

One of the most common challenges for songwriters is deciding whether to write the music or lyrics first. This can feel like a "chicken-or-egg" situation, but there's no one-size-fits-all answer...

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How to Plan the Perfect Release Day for Your Single or Album

September 20, 2024

Releasing a new single or album is a huge milestone for any musician. However, without proper planning, your work may not get the attention it deserves. It’s not just about putting the song online...

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Mastering the Low End: Compression Tips for a Tight Mix

September 20, 2024

When it comes to music production, getting the low end right can be tricky. Many producers face a common issue: after the initial mix sounds perfect, a few days later, the low end starts to feel...

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How to Turn a Bedroom into a Professional Home Studio on a Budget

September 19, 2024

For many aspiring musicians, the dream of creating a professional-quality home studio seems out of reach due to costs and space constraints. However, with the right strategies and tools, it's...

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Remote Music Collaboration: Tools and Tips for Seamless Production

September 18, 2024

Collaborating on music remotely has become more common, but as you’ve experienced, it can be a challenge to get it right. Audio latency, control sensitivity, and lack of real-time feedback are...

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How to Build a Loyal Fanbase Using Social Media in 2024

September 18, 2024

In today’s digital age, building a loyal fanbase is essential for musicians to thrive. Social media platforms have become powerful tools for connecting directly with fans, sharing music, and...

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Best Apps and Websites for Creating Instrumentals When You Don’t Play Instruments

September 18, 2024

As a songwriter, it can be frustrating to have melodies or lyrics in your head but no way to bring them to life without instrumental skills. Thankfully, with modern technology, there are apps and...

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Why are female artists underplayed on Canadian radio?

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A new University of Ottawa study has revealed a stark disparity in the airplay of music by women, particularly racialized and trans artists, on commercial Canadian radio over the past decade. This significant underrepresentation highlights ongoing issues within the industry regarding diversity and inclusivity. Today on Commotion, principal investigator and professor Jada Watson, alongside Cree country artist Desiree Dorion, join guest host Amil Niazi to discuss the study's findings and explore potential paths forward for the industry.

Professor Jada Watson, who led the study, delves into the data that underscores the systemic inequities faced by women, especially those from marginalized communities, in gaining airplay on commercial radio. She emphasizes the importance of recognizing and addressing these biases to create a more equitable musical landscape. "Our findings are a call to action for the industry to reflect on its practices and actively work towards greater representation and support for underrepresented artists," Watson asserts.

Desiree Dorion, bringing her perspective as an Indigenous artist, shares her personal experiences and the challenges she has faced in getting her music heard. She speaks to the broader implications of the study, highlighting the need for structural changes within the industry to ensure that diverse voices are not just heard but celebrated. Dorion's insights underscore the necessity of industry-wide efforts to promote inclusivity, from programming decisions to support for emerging artists from marginalized backgrounds. Together with Amil Niazi, the discussion aims to shed light on actionable steps that can pave the way for a more inclusive and representative music industry in Canada.