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Compression for Beatmakers

October 18, 2024

Compression is one of the most crucial tools in any beatmaker's toolkit, shaping the dynamics of your track and helping achieve that punchy, polished sound....

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The Best Beginner-Friendly DAWs for Music Production

October 18, 2024

Getting into music production can be an exciting journey, especially for beginners. With so many digital audio workstations (DAWs) available, it can be overwhelming to choose the right one.

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Top 10 Mixing Mistakes and How to Avoid Them

October 18, 2024

Mixing is an art form that requires not only technical skill but also a keen ear and attention to detail. Many producers and engineers fall into common traps...

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Choosing the Best CPU for Music Production

October 18, 2024

When upgrading your CPU for music production, whether you're composing orchestral scores, producing electronic music, or working with intricate multi-track projects, selecting the right processor...

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How to Create Epic Risers and Transition Effects for Electronic Music

October 11, 2024

Creating epic risers and transition effects is essential for electronic music producers to build tension and anticipation before a drop or shift in their tracks. Here’s how you can do it...

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Automating a Drum Bus in Reaper to Create Dynamic Room Effects

October 6, 2024

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EQ in Practice: How to Use Subtractive EQ to Clean Up Muddy Mixes

October 6, 2024

ixing music is an art, and one of the most essential tools for achieving clarity in a mix is the equalizer (EQ). One technique, in particular, known as subtractive EQ, can work wonders for cleaning...

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How to Manage Static Noise in High Frequencies When Compressing Vocals

October 6, 2024

One common frustration in vocal production, especially for home studio and bedroom producers, is encountering static noise in the high frequencies after compressing and brightening vocals...

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Sampling Like a Pro: How to Flip Samples and Avoid Legal Issues

October 6, 2024

Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...

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What Makes an EQ or Compressor VST High-Quality: Insights and Examples from Pros

October 6, 2024

When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...

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Sound Design 101: Crafting Killer Drum Sounds Using Synthesizers

October 6, 2024

Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...

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Mastering Multiband Compression Sidechaining: A Solution to Clashing Frequencies

October 6, 2024

In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...

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Why are female artists underplayed on Canadian radio?

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A new University of Ottawa study has revealed a stark disparity in the airplay of music by women, particularly racialized and trans artists, on commercial Canadian radio over the past decade. This significant underrepresentation highlights ongoing issues within the industry regarding diversity and inclusivity. Today on Commotion, principal investigator and professor Jada Watson, alongside Cree country artist Desiree Dorion, join guest host Amil Niazi to discuss the study's findings and explore potential paths forward for the industry.

Professor Jada Watson, who led the study, delves into the data that underscores the systemic inequities faced by women, especially those from marginalized communities, in gaining airplay on commercial radio. She emphasizes the importance of recognizing and addressing these biases to create a more equitable musical landscape. "Our findings are a call to action for the industry to reflect on its practices and actively work towards greater representation and support for underrepresented artists," Watson asserts.

Desiree Dorion, bringing her perspective as an Indigenous artist, shares her personal experiences and the challenges she has faced in getting her music heard. She speaks to the broader implications of the study, highlighting the need for structural changes within the industry to ensure that diverse voices are not just heard but celebrated. Dorion's insights underscore the necessity of industry-wide efforts to promote inclusivity, from programming decisions to support for emerging artists from marginalized backgrounds. Together with Amil Niazi, the discussion aims to shed light on actionable steps that can pave the way for a more inclusive and representative music industry in Canada.